Louis Landon Artist Interview
With John Nelson - Pulse Magazine - March 4, 2006
Multi-talented musician Louis Landon has come a long way in a short time. At 53,
the accomplished pianist, singer and songwriter, who lives in Chestnut Ridge,
has just released a new CD, "unwind
," that is quickly growing in
popularity, playing on almost 100 radio stations nationwide.
Landon will perform songs from his new album at 6:30 p.m. this Friday, March 3,
at Pamela's on the Hudson in Newburgh. You can find his music on the Web at
CDBaby, Amazon and iTunes. to find out more about him - he is also available to
play house concerts - visit his Web site at
JN - Describe your lifestyle and how it contributes to your process as an
- An aspect of my lifestyle that contributes most to my creativity as
a composer and recording artist is the time I have alone. It is usually between
the hours of noon and 3:00 PM during the week. That is the time that I have the
house (and my piano) to myself and I can play and sing as loud as I want. I can
practice things that would drive other people insane. I will sometimes repeat
musical lines or songs over and over again. I can sing out the most nonsensical
lyrics to a song I might be working on. Another way I get more alone time is by
staying up late at night in my studio. I can work there while everyone else is
sleeping. It is very difficult for me to create with anyone else listening. I
also have to structure my own time and do things the way that I like to do them.
I am fortunate because a lot of what is called "my work" is play.
JN - When did you start playing piano?
- I started playing piano when I was 4 years old.
JN - Did you know then that it would always be an important part of your
- I didn't know that music would be an important part of my life until
I quit piano at age 13 and began playing guitar. I returned to the piano at 20,
when it became clear to me that being a musician would be my life's work.
JN - Who have been your musical influences and why?
- This is the first time that I am writing about my father as my first
musical influence. He played piano and sang and did voices for cartoon
characters among so many other creative things in his life. But first and
foremost, he was a musician. It's because of him that there was a piano around
in the first place. And he played it a lot. When I made the switch to guitar, my
musical influences were Jimi Hendrix, Eric Clapton, John Mayall, BB King, and so
many other rock and blues oriented musicians. The turning point back to piano
happened to me when I heard Chick Corea's "Light as a Feather." That album went
right to my gut and I knew that I wanted to play jazz. It was at that point that
I went back to piano and enrolled at Berklee College of Music. I studied with
Charlie Banacas and Alan Pasqua. The pianists that I listened to were Bud
Powell, Herbie Hancock, McCoy Tyner, and Keith Jarrett. I think that if someone
studied those four pianists, they would understand almost everything about jazz
be-bop and post be-bop piano playing. All of them exceptional musicians and
piano players. Outside of pianists, I listened to Miles Davis, John Coltrane,
and Dizzy Gillespie, to name a few.
JN - Would you tell us about your new album, "Unwind"?
- I was almost going to write about this in question #1, but I decided
to go in a different direction. But going back to lifestyle, I found the process
of writing and recording "unwind" a contrarian experience. I was playing a lot
of gigs. I was teaching at Rockland Conservatory a few days a week. I was a
family man with two teenage daughters and a working wife. And, I was working out
at least five times a week to test for my black belt in Kyokoshin karate. With
all that going on, I decided to record a solo piano CD after hearing the
recorded sounds that Paul Hirsch was getting at Rose's Lounge Studios. My
intention was to record a jazz CD of original material that I had already
written. However, every time I would start to play the music that I had brought
in, things would slow down. Nothing up tempo seemed to work. And it seemed that
anything chromatic or any music with complex or dissonant chords wouldn't work
either. So, I had to throw out a lot of music. I ended up doing a lot of
improvisation that was not in the bebop or jazz vocabulary. And I was leaving a
lot of space between the notes. Some other kind of music was trying to come out
and I needed to get out of the way and let it happen. What I ended up with was
what two reviewers have called "New Age Jazz." The few things that give the word
jazz any validity is that some of the chords and chord voicings come from a jazz
place. And there is improvisation. But the improvisation does not come out of
the bebop tradition. It is melodic and simple. What the music turned out to be
was my way of relaxing and getting away from the hectic life I was living. I
needed to "unwind." What is magical about the music is that when people hear it,
they "get it." They feel the relaxed quality of it and it relaxes them. The CD
has been added to the playlists of 66 stations nationally for the month of
February. It was just picked up by "Whisperings", a solo piano internet radio
station on Live365 internet radio that reaches over 600,000 people monthly.
JN - How would you describe yourself as a performer?
- I perform differently when I perform as a singer/songwriter than
when I perform as a solo concert pianist. When singing, I am more inclined to
make eye-contact with the audience. When I am playing solo piano, I usually pay
more attention to the keyboard than the audience
JN - What kind of relationship do you have with the audience when you're on
- In both cases above, I enjoy speaking to the audience. I tell them
about who I am and what I've done, and I also tell them about how some of the
music was created and who or what was the inspiration of a piece of music.
JN - From where do you derive your inspiration?
- Anything can be a source of inspiration. The key is to be open to it
when it happens. If I am open emotionally and intellectually, good creativity
JN - What is your mission as an artist?
- My mission as an artist is to create a more emotional world by
singing and playing music from the heart.
JN - What's on the horizon for you?
- I am going to pursue this solo piano experience and see where it
takes me. I also have a lot of songs that I am waiting to record. It will be
interesting to see where this new CD takes me. I wish I could say that I have
this music career thing all planned out, but I just keep writing, singing, and
playing and hoping that more people appreciate what I do.
JN - Describe yourself in one word.
LL - Lucky.
JN - Why that word?
Because I've managed to play and write music for most of my life and
I love doing it. If I were to use two words I would say blessed and cursed.
Blessed for the same reason as lucky, and cursed because it is not an easy path
to travel. The agony and the ecstasy.
JN - What is your personal definition of art?
- My definition of art is the intentional creation of something that
transmits thoughts and/or feelings. Bach and Rembrandt have created the highest
form of art/music. They transmitted both highly evolved emotions and thought
into their works. I remember staring into the eyes of a Rembrandt self-portrait
at the Frick museum, and it was as if Rembrandt himself was there staring at me.
And with his knowing eyes he was telling me that he understood the meaning of
life and I understood that he put that into the painting. Pure genius. It was an
amazing experience. With paint and canvas he was able to create something that
is still communicating higher knowledge, in an intellectual and emotional way,
hundreds of years after his death.
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